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Spiritual Transformation through Body Art

photo by Emily Cavaco

The Spiritual Journey of
Alcsand Bionna Franklor


Public presentation of the use of body art for spiritual transformation
was given May 27, 2006 at 3pm at the Delevan Art Gallery

 

Scarring, piercing, and tattooing of the body have been used in virtually all societies throughout the pages of history for a variety of purposes, including beatification and identification. Artist and arts administrator, Alcsand (Alec) Franklor, uses body art for spiritual transformation.

"Our lives are recorded in our memories and physical bodies. We fall and scrape a knee, get the chicken pox, have surgery, and the scars live on to remind us of these difficulties. But why should the body only record the painful events in our lives?" asks Alec. "Why not also allow the body to hold a record of our celebrations, our accomplishments?"

Misunderstood by a majority of the population, body art remains an underrepresented art form. While scarring, piercing and tattooing are often believed to be impulsive, decorative or self-mutilating acts, body art can be a contemplative, deliberate and well-orchestrated process with a spiritual motivation. With appropriate intention, the body art becomes the physical manifestation of the spiritual transformation.

"At some point in our lives we survey our external world and begin to realize that there is something beyond that universe. We begin to change how we deal with our mind and our body, and their relationship to the world and to the Divine," says Richard Karuzas, an artist living in Liverpool. "From then on, each decision we make changes us forever as we travel along unknown paths to our spiritual destiny."

While most body art involves pain, people who use body art for spiritual transformation, consider the pain to be irrelevant in view of the motivation to achieve transformation and self-knowledge. Much like the pain involved in training the body to run a marathon or the pain in giving birth, the physical discomfort is overshadowed by the goal.

"I met Alec while we were working with a group of artists on a beautification project in downtown Syracuse," comments Richard. "I noticed her body art and was so fascinated by it that I asked her to model for me. As I was in the process of painting her portraits, she explained to me the relationship between her body art and her spiritual development."

The two artists will discuss the use of body art for spiritual transformation at the Delevan Art Center at 3pm on May 27th.

Similar to a photo album, scrap book, or personal journal, the tattoos on her chest and sides, cuttings on her shoulders and various piercings tell the story of Alec's journey along her life path.

At the culmination of her first spiritual retreat, Alec commissioned a tattoo of a solar design across her chest to remind her of the personal and spiritual power she had tapped into during the retreat. She reports that during the months following the tattooing, her ability to speak her personal truth dramatically increased.

Referencing the physical experience of receiving her first tattoo, Alec wrote in her journal, "I endured the pain of the tattoo by knowing that it was my spirit that was going to be freed by the breaking of the skin. I now feel that I have power I didn't have before. The tattoo acts like a shield on my chest."

The cuttings on her shoulders display a design of bird wings. "Birds have always been part of my spiritual life. They often act as signs, messengers, and guides for me," states Alec. In scarification through cutting, a raised scar is created through routinely opening the cut and introducing an irritant. "The daily choice to pull off of the scabs was akin to removing the layers of wounds and misunderstandings that kept me mired in confusion. The thick scars then became a symbol of my healing, my strength to work through my toughest issues," she says.

Each step along her path has lead to a deeper acceptance of her true self, and therefore of the Divine. "We are each made as individuals with unique talents to share with the world, as given to us by the Divine. Until we accept all the good and challenging parts of ourselves, how can we know and accept the Divine fully into our lives?" asks Alec. "How can we do the work that Spirit has given us to do?" It is with this in mind that Alec continues on her path of self-discovery, marking the steps through ink, scars and metal hoops.

A public presentation of the use of body art for spiritual transformation will be given May 27th at 3pm at the Delevan Art Gallery, 501 W Fayette St, Syracuse, NY. The presentation will include a discussion of body art as a means of spiritual transformation, paintings by Richard Karuzas depicting Alec Franklor's body art, and a short video created by Richard documenting Alec's use of body art for spiritual transformation.

 


Alcsand in Contemplation
painting by Richard Karuzas


Alcsand Thinking
painting by Richard Karuzas

Alcsand Chest Tattoo
painting by Richard Karuzas

Alcsand Bird Wings
painting by Richard Karuzas

Alcsand Side Tattoo
painting by Richard Karuzas

Alcsand Contemplating
the Future

painting by Richard Karuzas


photo by Emily Cavaco

photo by Emily Cavaco

photo by Emily Cavaco


Richard Karuzas, of Liverpool, NY, is the primary artist and coordinator for this project. Richard, a retired engineer, has been painting for over 50 years. His portraits, landscapes and abstracts aim to express ideas and emotions that serve as psychological mirrors to the viewers. He has served as the Vice President of the Central New York Art Guild and has won first place ribbons for paintings at the NY State Fair. Alec Franklor, of Syracuse, NY, is the subject of this project. Alec has a MA and MBA in Arts Administration and consults with local tax-exempt organizations. In addition, she runs her own business, RetreatFinder.com, an online directory of spiritual and healing retreats. Her photography will be shown in the 2006 Everson Biennial and has been selected for shows by jurors such as Jerry Saltz, Senior Art Critic for the Village Voice; Deborah Bright, Professor at the Rhode Island School of Design; and Jennifer Blessing, Curator at the Solomon R Guggenheim Museum. Alec's artwork can be viewed at www.sacredcirclearts.com.
   
The video also includes commentary on body art by:

John Joyce
Owner of
Scarab Body Art
, Syracuse NY


Maggie Waldron, MA
Marriage and Family Therapist
Certified Sex Therapist


For more information:
Richard Karuzas
rpkaruzas@aol.com
315-427-3552



photo by Emily Cavaco
Top designed by
Kathryn Martini
k.r.martini@gmail.com


photo by Emily Cavaco